Best in Show
Ladies in black stole the show, accounting for three of the evening’s strongest ensembles. The perennially chic Reneé Zellweger was stunning in an asymmetrical, slit-to-there silk chiffon gown by Carolina Herrera. The coup de grace? A vintage Van Cleef & Arpels brooch fastened off-center (as fashionistas should heretofore demand) on one of the gown’s back straps. Charlize Theron, another red-carpet favorite, looked lovely in not-so-basic black. Her flirty Dior frock—a short nude slip with black lace overlay—might’ve landed another wearer on Mr. Blackwell’s, but Theron pulled it off with panache, dressing up the skimpy shift with a glittering Cartier bracelet. Rounding out the colorless trio was Natalie Portman in vintage Chanel: The strapless, ribbon-belted dress, worn without jewelry, looked as if it were made for the ingenue, who scores extra points for sporting the pixie—a hairstyle only the prettiest of stars can wear with aplomb.
Equally popular, white yielded an array of romantic styles. One of the night’s biggest winners, Felicity Huffman, bested the field in a Grecian goddess Marchesa gown with shirred bust and beaded straps. Equally luminous was Kate Beckinsale in an angelic floor-length Dior dress with ruffled neckline and dramatic tiered hem (although her oversize emerald drop earrings were widely criticized, we thought it added a funky edge to
an ensemble that might have otherwise looked old-fashioned). In a sea of formfitting silhouettes, Sandra Oh was especially stunning in a sophisticated off-white Collette Dinnigan gown with
draped back. Although we weren’t enamored with Keira Knightley’s tassled rope belt, she was a vision nonetheless in a crisp white Valentino with vintage Cartier jewelry (the baubles alone were reportedly worth an estimated $3 million). And while the very-pregnant Gwyneth Paltrow was condemned far and wide for her fashion choice, we thought she looked lovely in
her creamy lace Balenciaga.
Just when the evening looked completely devoid of color, several stars pulled out all the stops in a rainbow of eye-catching hues, the most vibrant of which was Ziyi Zhang’s ethereal lime green Armani with floor-sweeping train. Evangeline Lilly
looked fresh and radiant in an emerald-green Empire-waist Elie Saab, while Rachel Weisz glowed in a bronze Donna Karen, proving that pregnancy dresses
needn't be boring. Desperate Houswives Eva Longoria and Nicolette Sheridan both redeemed themselves from
past red-carpet transgressions in a red wrap Bob Mackie gown and elegant
navy Armani dress, respectively. Kyra Sedgwick sported a surprisingly chic chocolate-brown Bottega Veneta, while Emmy Rossum, who rarely hits a wrong note, looked charming in a diaphanous mocha Dior
number (we also adored the red Celine frock she wore a week earlier at the Critics’ Choice Awards).
Fire the Stylist
But like all good things, the sartorial splendor came to an end, and most
of the evening’s worst missteps could be blamed on golden globes of a different sort. Perhaps most baffling was Pamela Anderson’s slingtastic Bill Blass, which emphasized, rather than minimized, the bombshell’s paranormal proportions. Perky in image but apparently not in décolletage, Drew “Born Free” Barrymore was a hot mess in jade Gucci sans much-needed support garment (a difficulty she shared with Lisa Rinna, who unwisely sported a crystal-encrusted gown cut to the waist). Apparently afflicted with the opposite
dilemma, Scarlett Johansson was more bust than beauty in a gravity-defying red Valentino. Respectively poured into their second-skin Escada and Chanel gowns, Geena Davis’s and Mariah Carey’s bordello-licious
bosoms looked as if they were on the verge of explosion. (Both might have
followed the lead of Queen Latifah, a larger woman than either, who consistently chooses figure-flattering dresses—that evening, a lovely Carmen Marc Valvo in rich teal.) Cleavage conundrums weren’t the only reason some stars looked more radiant than ravishing,
however. Good in theory, Heidi Klum’s Costume National gown ended up resembling a shapeless Project Runway reject, while Terri Hatcher’s glittering fishtail Versace somehow looked like stale Vegas stagewear. Mandy Moore’s black strapless number could’ve been chic had it not been accessorized with a too-casual superlong string of beads. Debra Messing and Fergie from the Black Eyed Peas each donned dresses that, while otherwise stylish, looked exceedingly laid-back for the red carpet. And finally, there was Reese Witherspoon: Not only did the vintage Chanel frock fail to fit the star properly through the bodice; it marked the fashion house’s second déjà-snafu of the evening (apparently, Portman’s dress, like Witherspoon’s, was previously paraded on the red carpet by Kirsten Dunst). |
Mixed Beauty Bag
Mirroring the trends seen on the spring runways, the stars’ makeup was unusually pared down this year. The best examples of the barely there look were seen on Jessica Alba, Evangeline Lilly, and Charlize Theron, all of whom appeared to be lit from within. Equally luminous were Kate Beckinsale, Queen Latifah, Laura Linney,
and Nicolette Sheridan; the latter's makeup (hair, dress, et al) looked more becoming than ever. Perhaps these stars
took a cue from the always-exquisite Jane Seymour and
the new face for M.A.C., Catherine Deneuve—beauty icons in attendance whose glamour has always been underscored by a sense of restraint. The trend didn’t fare so well for others, however: Virginia Madsen and Mary-Louise Parker
each could have benefited from a jolt of color, while Scarlett Johansson’s monochromatic coral palette seemed at odds with her bright red dress. Several stars attempted to add a dose of old Hollywood drama with ruby lipstick, but unfortunately most (Anne Hathaway, Geena Davis) opted for electric shades that were more distracting than dazzling. Perhaps the worst makeup of the evening was Jaime Pressley’s Malibu Barbie bronzer with pale pink (frosted?) lipstick, a look that, along with her austere bangs, compromised any gains she might have made in her
gold-and-white Escada gown (it should be noted that one more drop of bronzer,
and Eva Longoria would’ve been in the same boat).
Hairstyles were generally understated as well, with most stars opting for basic buns. Sarah Jessica Parker, whose Rochas dress and Cartier necklace were stunning, suffered a major setback with a hairpiece that failed to match her real hair color (all the more regrettable because the style itself, embellished with delicate
little headbands, was outstanding). Hilary Swank, who opted for a sleek flatironed look, struggled to keep her strands in place on the
gusty red carpet; once inside, the style worked well, though. Maria Bellow’s simple updo
looked inspired with a single white flower, and Kyra Sedgwick benefited by the addition of romantic, cascading tendrils. Patricia Arquette and Marcia Cross both wore flawless loosely pinned waves, while Penelope Cruz donned the evening’s most voluminous mane (although most were less-than-wowed by Cruz’s ’do, we thought it
suited the Spanish siren). Unfortunately, there was little debate over
who wore evening’s worst tresses: Cynthia Nixon’s frizzy, unkempt-looking extensions and Alanis Morrisette’s newly blonde Farrah locks were just the beginning of these stars’ beauty missteps. |
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